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Freestyle Technique - Kick from the Hip Flexors

Freestyle Technique - Kick from the Hip Flexors

It doesn’t matter whether you use a 2-beat, 4-beat, 6-beat, or even a crossover kick (like I’m using here). The one constant is that you should kick from your hip flexors -- the muscles at the TOP of your legs -- and not from your knees. When I kick, I try to use a whole-leg motion and I try to rotate my hips as I swim. When I’m swimming at aerobic pace, I use a crossover kick. It’s not a typical kick, and I wouldn’t necessarily recommend it, but it works for me because it helps keep my hips up and helps me rotate my hips. Here’s another angle where you can see the crossover kick -- my feet cross over with each stroke. I use this kick when I’m in drafting mode and when I need to maintain proper body position. When I switch gears and go into anaerobic and threshold swimming, my feet go to a normal 6-beat kick, which means that I take three kicks for every armstroke. I train both the crossover and the 6-beat kick in practice. But I make sure that every time I’m swimming at threshold pace or above, I’m using a 6-beat kick. This is how I train for having good closing speed at the end of a race or when I’m trying to break away or respond to a breakaway. In this last clip, I’ll start with a crossover kick and switch to a 6-beat kick in the middle of the length. This is a great drill to help build your kick and to help you learn to switch gears in the middle of a race. Start with whatever kick you use for aerobic swimming, and then switch to a 6-beat kick at the end of the length. One more word about the kick is: Don’t give up. Lots of swimmers get discouraged when they can’t kick fast on a board. Stretching your hip flexors might help, and here’s an example of one exercise you could try. Try kicking from the hip flexors -- from the top of the leg. And use the whole leg instead of kicking just from the knee.

Backstroke Positioning Techniques

Backstroke Positioning Techniques

Backstroke Body Position To teach the correct body position for backstroke, I start by having the swimmer float with a relaxed body, with ears in the water. The head should rest in the water with the water line near the edge of the goggles. There should be no tension in the neck, and it’s important that her body is not stiff. The legs should be soft with the toes under water. Backstroke Kick To teach the backstroke kick,I use a 4-step process. For the first step, I have the swimmer sit on the edge and I stand directly in front of her and hold her legs here – with one hand under each ankle. Even though my hands are at her ankles we want the kick to come from the top of the legs, from the thighs. I hold her ankles to make the feet loose and floppy. We want long legs, loose ankles, and an emphasis on pressing down with the kick. Watch her touch the bottom of her feet to my hand that is under water For step two in teaching the backstroke kick, I use a board. The swimmer’s hands should be close together, which makes the shoulders roll in and puts them in the “canoe” position. It’s important to keep the arms straight and you can make this happen by having the swimmer hold the board over her legs. The legs should be near the board but you don’t want her to kick the board up with her knees. In step three, the swimmer progresses to kicking without a board. I’ll have her in the “canoe” position (hands near the top of the legs) and with sculling (hands near the sides). I stand close to her head and hold the head to help her establish a correct body position. I move with her as she kicks, making sure she maintains the correct body position. In step four, I teach backstroke kick with rotation. I stand directly behind the swimmer’s head and hold it gently from underneath. My hand is flat and I simply roll the right side up from the backside of the shoulder, pause, and then roll the right side down from the top of the shoulder. By standing here and guiding the swimmer’s rotation, I make sure that she never pauses while flat on the water. Backstroke Pull When I teach backstroke pull, I start with single-arm backstroke so that I can guide the pull and set the timing. I have her start with the recovery by bringing the thumb side of the hand out of the water first. I lock out her elbows and let gravity shape her hand. I bring her arm directly up over the side of her body and over her shoulder. She should be able to see her hand as it passes directly above her eye. I position myself at the swimmer’s side so I can control her recovery and entry. I’ve found it’s effective to have the swimmer brush her arm along the side of the head as the hand drops back into the entry. I’m slightly flexing her wrist on entry. I drop the arm down, direct the arm out a bit and then set the hand and forearm up for a pull. Now I will put my hand on hers so she can feel what it’s like to catch the water. I hold the swimmer’s head so that her eyes are straight up and her shoulders and arms are like this -- rotated on one side with one arm extended and the other arm at her side with the hand on the side of the leg. I keep the head and the extended arm straight. Once she’s in the correct position, I have her kick for 6 kicks with the arm extended. Then she pulls, pauses, and kicks for 6 kicks with the arm at her side -- and I make sure that her shoulder is up and her body is rotated and ready for the arm to recover. My job is to make sure she keeps the extended arm straight and that she rotates rather than goes flat. By standing here and guiding her body, I can also help her establish a rhythm. When the swimmer can do single-arm backstroke with the left arm and the right arm, with good rotation... ... they’re ready to try backstroke with both arms, and they usually go right into a true backstroke with good rhythm and timing. Putting It All Together (and Preventing Crossover) When the swimmer is ready to put all the parts together, I stand above the swimmer and hold the head like this to give only as much help as she needs to do the stroke correctly... and to prevent crossover. If her arms touch mine, she knows to enter wider. I can also direct or correct the entry like this, by holding her head with one hand and helping the entry with the other. I change hands with every stroke. You’ve got to be quick, but this is a highly effective teaching trick. 


Teaching Progressions for Back-to-Breast Turns - Crossover Turns

Teaching Progressions for Back-to-Breast Turns - Crossover Turns

This swimmer is demonstrating the back-to-breast crossover turn. This is the most advanced of the back-to-breast turns, so let’s slow it down and look at how how we can learn it with a step-by-step progression. Step 1: Mid-Pool “Touch” Start by kicking away from the wall. Kick on your back with one arm extended and pressed against your head and the other arm by your side. Without changing your arm position, roll toward the arm at your side and stop your roll when you’re looking under water straight across the pool. Balance and kick in this position without rolling past vertical. Here’s the same move from under water. Roll toward the arm at your side and stop when you’re looking straight across the pool. Step 2: Mid-Pool Roll In Step 2, you’re still kicking away from the wall. Once you can balance and kick in the crossover position, continue to roll toward the arm at your side and then immediately do a front flip. As your legs come over, angle your feet to the same side as the extended arm -- the arm that will touch the wall during the actual turn. Here it is again. Roll... flip... and as the legs come over, angle your feet to the side. Step 3: Kick to the Wall, Touch, and Flip In Step 3, you kick toward the wall, with one arm up and one arm at your side. As you roll to start the crossover, make sure you don’t roll past vertical before your hand touches the wall. At the touch, put your palm flat on the wall and continue to roll toward the stomach and immediately into your somersault. Step 4: The Hands In Step 4, let’s focus on the hands. As you begin to flip, turn the non-contact hand palm down, and push toward the bottom of the pool. This helps bring your head up and into alignment with the body for the push-off. Watch again for the hand to turn palm down and to push toward the bottom of the pool. In this next clip, watch the hand that touches the wall. Notice how the swimmer brings it forward to a position above the head as the roll is completed, and in time for a streamline push-off. Step 5: Swimming Approach and Turn In Step 5, as you put all the steps together, remember the rule for back-to-breast transition turns: You cannot roll past vertical before your hand touches the wall. Swim into the wall. As you cross over and reach behind your head with the right arm, you’ll be facing the lane line that was on your left side when you swimming. When you push off for breaststroke, that lane line will be on your left side. Step 6: Turn on Each Hand It’s important to practice this turn on each hand. In a race or during practice, you never know which arm will take the last stroke. So be prepared!

Drills and Tools - To Improve Your Turns

Drills and Tools - To Improve Your Turns

When I teach flip turns, I use every kind of drill... ... and every kind of tool I can think of. Things like mirrors, noodles, and creative drills make learning fun... and you never know when one of these tools will be the thing that works for a particular swimmer. So try them all, and use your imagination to invent new ways to teach these complicated moves. The Rope I use the rope to help swimmers get more distance off the wall. Place a rope or surgical tubing across the lane lines at the half-way point in a 25-yard pool. Do a set of 25s or 50s -- or maybe longer -- with the swimmers going at least twelve-and-a half yards of underwater streamline and kick before they come up and start to swim. Try this for breaststroke, too. The swimmers have to stay under water and extend their technique (and breath control) in order to break out past the rope. Timed Turns If you’ve never timed an open turn, it can be a real eye opener for both the swimmer and the coach. You’re measuring the time from when the hands touch... to when the toes leave the wall. 1.4 seconds is slow. 1.2 seconds is OK. 1.1 seconds is good 1 second is very good. And under 1 second is excellent. Swimmers enjoy the challenge of getting a faster time, and they’ll usually ASK for ways to shave off a few tenths. This is music to a coach’s ears. Underwater Ready Position Freeze For flips... ... and for open turns... swimmers can freeze at the underwater ready position to see if their body and legs are aligned for a strong push-off. The underwater ready position is where the swimmer has just landed their feet on the wall, and the hands are positioned overhead for a streamline push-off. Notice that the swimmer is not quite in streamline. Elbows are bent, hands are above the head and touching, and the arms and legs will extend simultaneously to add power to the push-off. High-Speed Turns The idea behind high-speed turns is to let the swimmer know what it feels like to turn during a race, when they’re approaching the wall at maximum speed. To get up to race speed and beyond, the swimmer can either use fins... or use the bottom of the pool to generate speed into the wall. They can even use a push and freestyle to build speed for an open turn. Super-Short-Course Turns Take a look at your pool and be creative about how you can practice your turns. If there’s a bulkhead, use it to create a 15-meter pool where you can practice rapid-fire turns. If your pool is wide enough or has a diving well that’s at least 15 meters wide, simply take out a few lanelines and swim widths. The wall will come up quickly -- just as it will in a meet -- and the swimmer has to learn to react quickly. Mid-Pool Turns Even after swimmers have learned the proper technique for turning at the wall, they’ll benefit from practicing at mid pool. Place a cone at the bottom of the pool, about 15 meters from the wall. Have the swimmer do a series of 30-meter swims to the underwater cone and back. The swimmer should perform the mid-pool turn with the same technique they’d use at the wall. The only difference is that they don’t get a push-off. Blind-Approach Turns In order to prevent swimmers from looking at the wall before the turn, have them try what we call the “Blind-Approach” Turn. Make the swimmer promise not to look at the wall. Instead, they must get their bearings by using only the “T” on the bottom of the pool. The official distance from the end of the “T” to the edge of the turning wall is 2 meters. But in many pools, the “T” is not placed at the official distance. Swimmers should be aware of this, and should learn the distance at each new pool. Timed Streamline and Breakout Distances For butterfly and backstroke, swimmers always want to know: How many dolphin kicks should I take before I break out and start to swim? The answer depends on the underwater skill of the swimmer. And instead of guessing... you can use a stopwatch to give the swimmer an exact answer. Time how long it takes the swimmer to go from the push-off (when the feet leave the wall)... ... to the 15-meter mark. Start by taking just one or two dolphins. Then increase the number of dolphins and the distance the swimmer travels under water. Then have the swimmer go all the way to the 15-meter mark before the head breaks the surface. Compare the times, and look for the optimal breakout point -- the combination of underwater kicking and surface swimming that produces the fastest time. Mirrors If I had to choose just one tool for teaching turns, it would be mirrors. They are the best thing ever -- better than any amount of underwater video analysis -- because they give instant visual feedback. Swim mirrors are very safe because they’re not made from glass. They’re made from aluminum or acrylic plastic, and they go on the bottom of the pool and are very durable. They can be purchased through most plastic-supply stores, or through your local glass store. The mirrors that I use are eight feet long and four feet wide, and weigh about 25 pounds. You can position them anywhere on the bottom of the pool, and their weight keeps them in place. For turns, I also use a mirror that is 2 feet wide and 8 feet long. The cost of a mirror is just over 100 dollars, but its value as a teaching tool is priceless. When teaching with mirrors, the most important thing to remember is that this is a tool for visual learning. As a teacher or coach, your job is to tell the swimmer what they should see as they pass over the mirror, rather than what they should do or feel. Let’s see how this works for teaching turns. Mirrors are essential for teaching streamline. Place your mirror on the bottom of the pool, several yards from the wall. Explain the streamline position you want to see, and get the swimmer to demonstrate while standing near the wall. Now describe what the swimmer will see when he pushes off and glides across the mirror. Don’t overload them. Pick just one or two things at a time. You might say, “I want you to see your eyes and your entire face as you glide over the mirror.” Or... “See your arms squeezing tight against the side of your head.” Whatever your definition for a perfect streamline, tell them what they’ll see, and phrase it in positive terms, rather than saying “Don’t do this...or don’t do that.” Remember: Mirrors reinforce visual learning, so give instructions that tell your swimmers what to see and what to watch for. Mirrors are an exceptional tool for teaching open turns. As you approach the wall with breaststroke or butterfly, try to line up directly over the mirror. At the touch, you’ll see your face in the mirror... and see your arms extended. This is not the time to lift up for a breath. Keep your face IN the water and watch the knees come up toward the face. At the same time, watch the turning elbow leave the wall and drive back quickly and close to the body. When you can see the knees approach the face, and see the turning elbow slide past the body, roll back and grab a breath. As you roll back and prepare for the breath, send your wall arm back in a karate-like/ answer-the-phone type of move. Take the breath late... as the body is rolling back and preparing for a streamline push-off. Additional mirrors placed on the bottom of the pool and farther down the lane can be of great benefit for checking the quality of the streamline and body posture. Breaststrokers can also use the mirror to make sure they are flat on the breast before initiating the underwater pull. With mirrors, breaststrokers can critique their own technique during the entire underwater pull, kick, and recovery. Styrofoam Heads The Head, which is made of Styrofoam and costs about $10, is a visual aid that makes your demonstrations more effective. The head is extremely effective for demonstrating correct head and eye position as you approach the wall for a breaststroke or butterfly turn. I like to use the head to illustrate a common mistake on backstroke turns, which is over rotation. Here, I’m using it to demonstrate the correct way to stop the rotation and line up the head and body for the push-off. Plastic Mannequin Hands Kids are fascinated by plastic hands, and will really pay attention to them when you demonstrate technique. I like to use plastic hands to emphasize the precise movement of the hands during the turn. Kids will stare at the hands because they’re unique, and they’ll see exactly what you want them to do. Noodles When a swimmer is doing this with the arms when they flip... it’s time to use noodles. Noodles are one of the best tools for helping swimmers “keep track” of their hands during flip turns. Noodles help keep the arms close to the body during the flip -- as opposed to letting them scull and scoop. Noodles also keep the swimmer’s hands above the head (and away from the turning wall), so that they’re ready to extend into streamline as soon as the feet hit the wall. Pull Buoys and Kickboards If you don’t have noodles, you can use pull buoys to help swimmers minimize their arm movement during the flip. Small kickboards can also be used to stability the arms. Tennis Balls If a swimmer is opening up and looking like this when they flip... ... have them place a tennis ball under the chin and keep it in place throughout the turn. In order to hold on to the tennis ball, the swimmer must keep the chin tucked all the way through the turn. The tennis ball also works for teaching correct technique for the open turn. The eyes will stay down at the touch, and the swimmer must roll back for air rather than turning to the side.